http://repositorio.jesuita.org.br/handle/UNISINOS/9986 Realização Audiovisual Fri, 17 Apr 2026 09:08:28 GMT 2026-04-17T09:08:28Z http://repositorio.jesuita.org.br/handle/UNISINOS/13675 Recordar é viver: uma análise da linguagem audiovisual em suporte de fita magnética dos filmes de família Hickmann, Valentina Ritter Tue, 12 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13675 2023-12-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13674 A sonoridade da melancolia: um estudo de caso do compositor Gustavo Santaolalla Vidor, Sofia Ruwer Tue, 05 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13674 2023-12-05T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13673 A música de Wakanda: o uso da trilha musical como recurso de construção de identidade no universo cinematográfico da Marvel Gianichini, Renata Mon, 04 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13673 2023-12-04T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13672 Paisagem sonora e efeitos sensíveis na animação de ficção científica O Planeta Fantástico Souza, Nicolle Ferreira de Thu, 07 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13672 2023-12-07T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13671 A montagem como poética audiovisual em A Árvore da Vida (2011), de Terrence Malick Tagliari, Leonardo Tue, 05 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13671 2023-12-05T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13670 Audiovisual como ferramenta econômica: uma análise das políticas culturais brasileiras e dinamarquesas Kotz, Leonardo Augusto Thu, 07 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13670 2023-12-07T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13669 A construção de um antagonista uma análise narratológica do personagem Zuko de Avatar: A Lenda de Aang e seu arco de redenção Dutra, Julia de Mattos Mon, 04 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13669 2023-12-04T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13668 Narrando a morte: a enunciação do horror da morte em Hereditário Quaresma, João Pedro Schambeck Mon, 04 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13668 2023-12-04T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13666 Do mangá ao anime: a adaptação de ritmos do tempo em nausicaä do vale do vento Potenza, Beatriz Schmidt Wed, 06 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13666 2023-12-06T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13665 Solve et Coagula: uma investigação dos paralelos entre montagem e alquimia e suas implicações no fazer cinematográfico Oliveira, Artur Ilha de Tue, 12 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13665 2023-12-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13664 Imaginário e espectros da violência no filme O som ao redor (2012), de Kleber Mendonça Filho Roveda, Angela Beatriz Neighboring Sounds (2012) is a film written and directed by Kleber Mendonça Filho, a film critic and filmmaker from Pernambuco. The film, his first feature-length fiction, brings up recurring themes from his filmography, such as real estate speculation, memory (of people and places, personal and collective), violence and insecurity in urban spaces. Kleber Mendonça's film makes reference to two works by Gilberto Freyre, The Masters and the Slaves and The Mansions and the Shanties. In this way, the director proposes an updating of the themes and structures addressed by Freyre: the slave owner's house, the senzala and the mill. The aim here is to understand how the unease present throughout the film's narrative, both visually and sound-wise, evokes the opacity and veiled racism present in contemporary Brazilian society. To this end, the research's theoretical foundation is based on three authors and their concepts: Gilbert Durand's Anthropological Imaginary; Jacques Derrida's Spectre and Fantology; and Gaston Bachelard's Poetic Space. The specific objectives are: to explore the concepts of the imaginary, spectrality and poetic spaces, to address how Kleber Mendonça's work fits into the tradition of modern Brazilian cinema and represents violence, analyzing the film based on its frames, shots, scenes, soundtrack etc. This research is justified by the curiosity to explore fear and terror in Brazilian cinema and the desire to know and understand part of the country's cultural, social, economic and historical roots through one of its cinematographic works. The research methodology is divided into two parts: bibliographical exploration and film analysis. Tue, 05 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13664 2023-12-05T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13663 Rastros e memórias: a revelação do processo animado Graziuso, Alice Martins Wed, 06 Dec 2023 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13663 2023-12-06T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/13093 "O Pantera Negra vive": sentidos políticos entre um príncipe e um radical na construção de um radicalismo negro Fontoura, Raul Teixeira da Politics are present in everyday living, through positions, opinions and problems that affect the lives of all people. A lot is said about polarization, but little is said about the poles of this polarization in the public sphere: politics, day to day, isn’t usually meaningful to us in its full depth. This research looks to explore the political meanings about black radicalism constructed through the characters of T’Challa and N’Jadaka (Killmonger) in the film Black Panther (2018), seeking to relate the positions expressed by these characters with the political, historical, and social contexts that give them meaning. To accomplish this, the research is based on Discourse Analysis through the perspective of Eni Orlandi, seeking to conceptualize the way in which meanings are created, how language makes meaning to us through the mechanism of ideology in the process of discourse. Understanding the particular quality of discourse in the language of cinema, the research brings the contributions of Vanoye and Goliot-Lété about film analysis and the concepts of Vanegas about semiotic analysis of film, to set out a way to detach the symbolic and cinematographic content of the text, in order to then reconstitute it as a whole in contact with the extra filmic discoursive formations that give it meaning. From these bases comes the construction of an analytic apparatus, seeking to contextualize the history of colonialism through Rodney, the history and political philosophies of liberalism and radicalism through Losurdo, and the philosophies of black revolutionaries through anthologies of their writings organized by Manoel and Landi. To these fundamental readings, a lot of smaller articles about specific themes are added, with the objective to put positions of the liberal and radical fields about these questions on debate. The research uses these contexts to unfold the political meanings that emerge in the analysis of the filmic discourse, revealing displacements, erasures, and substitutions in the path between interdiscourse and the text as it shows itself to be. At the end, it is concluded that Black Panther fundamentally brings up, though in a measured manner, meanings about the ailments of the colonial process, problems still sustained by hegemonic liberal capitalism, but it offers little space for a radical alternative as a solution for these problems. The film constructs in N’Jadaka an undesirable totalitarian figure and favors the reformist alternative of T’Challa, but at the same time creates an opening in the discourse by being sympathetic to the pain of the radical leader. Fri, 17 Dec 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/13093 2021-12-17T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11304 Imprimir afetos: o corpo como ferramenta e objeto artístico na obra de Claire Denis Nora, Nicole Vaz Mon, 12 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11304 2021-07-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11302 Return to Oz: o mundo mágico a partir de um transtorno psicológico Polla, Natália This undergraduate paper aims to analyse the feature film Return to Oz (1985), dissecting its elements to elucidate the visual and narratological strategies used to build the marvellous land of Oz stemming from Dorothy Gales’ mind. Merging concepts from Psychiatry and Cinema, the work tries to prove the hypothesis that the magical world is an extension of reality, created by a psychological disorder suffered by the main character. The method is film analysis based on the studies of Francis Vanoye, Anne Goliot-Leté, Jacques Aumont and Michel Marie, in addition to the theoretical content based on research and testimonies from psychiatric professionals. There are numerous indications that point to Dorothy's madness, as well as different meanings that can be added onto characters and situations during the film. When examined more deeply, these aspects, even between the lines, appear as concrete Mon, 12 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11302 2021-07-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11301 A modulação narrativa e o transtorno dissociativo de identidade na série MR. Robot Heerdt, Júlia do Canto Pereira Thu, 15 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11301 2021-07-15T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11300 O espectador como confidente: fleabag e a quebra da quarta parede Bortoluzzi, Isabella Armiliatto This research seeks to investigate how the breaking of the fourth wall occurs and impacts Fleabag's (created by Phoebe Waller-Bridge) narrative. In order to achieve this, the research uses the writings of Anatol Rosenfeld regarding Brecht's theater; Jacques Aumont concepts of the space that the series occupy and the theory concerning enunciation in cinema written by Jost and Gaudreault. With these theories, the research studies how the main character in Fleabag relates to the public Mon, 12 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11300 2021-07-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11298 Direção de fotografia em jogos cinematográficos: a câmera personagem em The Last Of Us Part II Picinatto, Gabriel de Andrades Mon, 12 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11298 2021-07-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11291 A construção do monstro na recepção do filme O bebê de Rosemary Lopes, Beatriz Schmidt dos Santos Thu, 15 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11291 2021-07-15T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11290 De menina à rainha: a construção da protagonista em O Diário da Princesa e seu papel para formação infantil Dick, Bárbara Lima Mon, 12 Jul 2021 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11290 2021-07-12T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11289 Uma análise comparativa da estética do medo em sexta-feira 13 e Midsommar Dorsch, Thiago Bigarella Mon, 07 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11289 2020-12-07T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11288 Rebeldia resignada: a representação da juventude chinesa em Unknown Pleasures e Winter Vacation Campos, Rafael de Fri, 11 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11288 2020-12-11T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11287 Narrar com a cor: uma análise da fotografia do filme Coringa Xavier, Priscylla de Almeida Mon, 07 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11287 2020-12-07T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11285 Análise enunciativa da voz feminina nos documentários Democracia em Vertigem e Varda por Agnès Camargo, Luiza Zimmer de Mon, 14 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11285 2020-12-14T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11284 Detroit: Become Human e Black Mirror: Bandersnatch: uma leitura sobre a estruturação narrativa em jogos e filmes interativos Bastos, Lucas Calegari Thu, 10 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11284 2020-12-10T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11282 Fragmentos beat em My Own Private Idaho Silva, Lorenzo Telles da This research studies the presence of Beat counterculture and literature fragments in the film My Own Private Idaho, directed by Gus Van Sant and released in 1991. To achieve such objective, the present study begins by elaborating the concept of the Beat fragment, which is a intertextual unit coming from such counterculture to compose the analysed film. It is from the theories of intertextuality by Julia Kristeva and from the concept of the encyclopedia by Umberto Eco that the Beat fragment idea is constructed. Then, this research compares My Own Private Idaho with two seminal Beat literature books, On the Road, by Jack Kerouac, and Junky, by William Burroughs, looking for these intertextual fragments. Lastly, it elaborates a general panorama about the Beat presence in the film by Gus Van Sant Thu, 10 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11282 2020-12-10T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11281 A poética cinematográfica: uma análise do cinema de poesia e dialogismo em O Funeral das Rosas Cardoso, João Wed, 16 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11281 2020-12-16T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11280 A construção das masculinidades das personagens do filme O Farol Medeiros, Guilherme Decker This monograph proposes focusing and reflecting on the constitution of masculinities in the culture, especially its representations in cinema. For that, the work analyzes the representations of masculinities in the characters of the movie The Lighthouse – directed by Robert Eggers (2019) – looking at the construction of their images. To address this matter, psychological aspects are approached, as well as the construction of their masculine identities and the strategic use of violence as a mechanism for dominance Mon, 14 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11280 2020-12-14T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11279 Vanguardas em diálogo: Wavelength como experiência minimalista Franco, Frederico “Avant garde in dialogue” proposes itself to understand the movie Wavelength (1967) through its interseccionalities with the minimal art in the United States in the 60s. Studying the theory of the avant garde, the project is divided in three major parts. In the first one, a historical context of the avant garde, minimalism and structural film. The second part, a comparative analysis between the minimal art theory and Snow’s movie, interpreting the formal elements of its mise en scène, beyond the fact to try to understand the movie in question inside the hole artistic carreer of its author, Michael Snow Tue, 15 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11279 2020-12-15T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11278 Aves de rapina e parasitas: silenciamento e violência no filme parasita de Bong Joon-Ho Oliveira, Chayenne Barcellos de Mon, 14 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11278 2020-12-14T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11277 A transposição da linguagem dos quadrinhos para o filme Homem-Aranha no Aranhaverso Fontana, Beatrice Petry Mon, 14 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11277 2020-12-14T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11232 A representação documental animada: um estudo sobre torre, Guaxuma e Persépolis Sperb, Alice Mossry This research proposes a reflection upon the codes of the representation of reality on the audiovisual production practice, with a focus on the context of the documentary genre and its relation with the animation support. Throughout the research, I approach the characteristics of the historical development of the documentary genre, seeking to expose the historical processes and their consequences on the establishment of a classic documentary tradition. Then, I observe films that surpass this traditional model, exploring their themes while expliciting the subjectivity of the author and of the support, observing the interaction between the documentary practice and different animation techniques, characteristics that blend together in an animated documentary. Along this path, I analyze the characteristics of the procedures commonly used by the live action documentaries and by animated documentaries. I also explore the concepts of representation and reality, intending to observe the influence of the subjectivity, of filmic reality and of realism on the representation of the reality by the cinema. These concepts and themes are applied to the analysis of three films: Guaxuma (2018) by Nara Normande; Persepolis (2008), by Marjane Satrapi and Vincent Paronnaud; and Tower (2017), by Nádia Mangolini Wed, 09 Dec 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11232 2020-12-09T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11231 A cidade recortada: aproximações entre a montagem cinematográfica e a colagem plástica em "o homem com uma câmera" Pinto, Pedro Valadão de Figueiredo Tue, 21 Jul 2020 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11231 2020-07-21T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11230 Don't hug me i'm scared: o horror disfarçado de fofura Meyer, Victoria Farina Tue, 03 Dec 2019 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11230 2019-12-03T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11229 Mulher e trabalho na animação zootopia: a importância de Judy para as novas gerações Schmitz, Lucélis da Rocha Wed, 04 Dec 2019 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11229 2019-12-04T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11228 The Handmaid’s Tale na recepção feminina: significações produzidas para as personagens da série Flores, Julia dos Santos Fri, 13 Dec 2019 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11228 2019-12-13T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11227 Os sistemas federais de incentivo voltados ao desenvolvimento da indústria cinematográfica brasileira Santos, Iuri Arzevenko Wed, 11 Dec 2019 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11227 2019-12-11T00:00:00Z http://repositorio.jesuita.org.br/handle/UNISINOS/11220 Subjetivação e atmosfera fílmica na produção de Adolpho Veloso Reidel, Alex Mon, 02 Dec 2019 00:00:00 GMT http://repositorio.jesuita.org.br/handle/UNISINOS/11220 2019-12-02T00:00:00Z